We inhabit a deeply imagined world that exists alongside the real physical world. Even the crudest utterance, or the simplest, contains the fundamental poetry by which we live. This mind fabric, woven of images and illusions, shields us. In a sense, or rather, in all senses, it’s a shock absorber. As harsh as life seems to us now, it would feel even worse — hopelessly, irredeemably harsh — if we didn’t veil it, order it, relate familiar things, create mental cushions. One of the most surprising facts about human beings is that we seem to require a poetic version of life. It’s not just that some of us enjoy reading or writing poetically, or that many people wax poetic in emotional situations, but that all human beings of all ages in all cultures all over the world automatically tell their story in a poetic way, using the elemental poetry concealed in everyday language to solve problems, communicate desires and needs, even talk to themselves. When people invent new words, they do so playfully, metaphorically — computers have viruses, one can surf the internet, a naive person is clueless. In time, people forget the etymology or choose to disregard it. We dine at chic restaurants from porcelain dinner plates without realizing that when the smooth, glistening porcelain was invented in France a long time ago, someone with a sense of humor thought it looked as smooth as the vulva of a pig, which is indeed what porcelain means. When we stand by our scruples, we don’t think of our feet, but the word comes from the Latin scrupulus, a tiny stone that was the smallest unit of weight. Thus a scrupulous person is so sensitive he’s irritated by the smallest stone in his shoe. For the most part, we are all unwitting poets.
— Diane Ackerman, from her essay “Language at Play,” In Fact (via afternoon—-tea)